by • February 13, 2016 • No Comments
Feb. 14, 2016 | By Kira
Celebrated style photographer Nick Knight is not one to just observe emerging art trends. Instead, you will find him in the front row, camera in hand, eager to ride the wave of new and amazing art forms enabled by digital technologies. The influential photographer, who has won awards for his editorial work in Vogue, Dazed & Confused, W Magazine, and additional, has now turned his pioneering vision towards a relatively new and unexplored form of art: the Photographic Sculpture.
But its name consists of two classic forms of art, photography and sculpture, which date back several centuries, ‘photographic sculpture’ is firmly rooted in 21st century innovation. Essentially, it is a form of art wherein a 3D scan of the subject, pretty than a 2D image of a camera, is transformed into a physical, 3D sculpture through 3D printing or other digital methods.
Porcelaine photographic sculpture of Kate Moss, captured with 3D scanning technologies
For Knight, yet, the system behind his work requires much additional than just 3D scanning and 3D printing a subject, be it a man or yet life. Indeed, many companies contribute manalized 3D scanning and printing services, but do they all amount to photographic sculpture art?
“The reason I call it photographic sculpture is which when I scan my version, I use precisely the same approach I do as when I photograph a fewone,” said Knight. The same directing, the same approach, the same searching for shape and form, the same desire to portray their emotion, but I don’t end up with a two dimensional photograph, but an object.”
“This object has been made via all the language of photography, such as multiple exposure, depth of field, and so on,” he continued. He in fact retouches it in the same way a magazine photographer may retouch an image via Photoshop. The difference is which this is “photograph as sculpture,” the finished object an precise physical manifestation of the digital data captured by the 3D scan and manipulated through CAD software.
To exhibit the possibilities of this new, 3D art form, Knight has aleager 3D scanned the likes of Lady Gaga, Liberty Ross, and Daphne Guiness, “all significant women, sturdy women, and women who shape our visual culture.”
Of greatest note, yet, are his 3D scans of top superversions Naomi Campbell and Kate Moss, which have been transformed into attractive, provocative and larger-than-life 3D sculptures.
The initially, called Statuesque, is a towering, 25-foot-tall 3D printed replica of Naomi Campbell in the nude—replicated three times for maximum effect. 3D printed in white polystyrene and based loosely on Warhol’s ‘3 Elvis,’ the giant Naomi Campbell is undeniably fierce, just like the real-life woman it was based on.
As Knight explains, the Statuesque 3D printed sculpture was exhibited during the SHOWstudio: Fashion Revolution exhibition at Somerset House in London. Wanting to turn it into art which incites conversation pretty than blank stares, Knight initiated a ‘global conversation’ via his website: he made an online version of the sculpture, which folks of around the world may digitally ‘draw’ or ‘write’ on. The virtual graffiti may and so be projected, in real-time, onto the 25-foot-tall Naomi, who in effect became a canvas for folks to record their thoughts, or to “color in and turn it into beauty.”
A 2nd 3D photographic sculpture saw superversion Kate Moss transformed into a graceful ‘Fallen Angel.’ Knight said which he sees sturdy parallels between the “new religious icons” and style idols, both of whom are at times revered, at and others despised, frequently by the quite same crowd.
To capture this sentiment, Knight began by 3D scanning a topless Kate Moss (who has had her share of ups and downs in the media’s eyes), her arms gracefully outstretched in a “classical religious pose.” He and so 3D scanned the wings of a dove, and digitally layered them behind Kate’s body. A crown of thorns completes the religious imagery.
“I wanted to find a material which I felt appropriate for this and decided to work with one of the finest porcelain manufacturers in the world, Nyphenburg in Germany,” said Knight. The Nyphenburg Porcelain Manufactory “sculpted Kate of the data I had provided, which is fundamentally a direct mathematical and optical recording of her form.”
Knight’s photographic sculptures are at times provocative, at times classically attractive, and lie at the intersection of photography as art, digital create, and digital fabrication technologies such as 3D printing. Yet another informative aspect of 3D photographic sculptures is the question of material—while photographers print on paper, and sculptors frequently turn to clay, bronze, or marble, Knight can now select of a variety of high-grade 3D printing materials usually reserved for the likes of NASA.
His current explorations with this new art form are truly just the beginning. “Over the last decade and a half this new art form has been my continual source of happiness. I love the fact which it is new, and as yet has virtually no set parameters – it remains undefined. What is many amazing is which it feels like a bridge into a new world, a world where art looks and behaves in ways we are just just starting to discover.”
In the next, he in fact imagines a world where 3D bioprinting can be an artistic medium: “to me, the many amazing and by far the oddest version is which possibility is there to in fact print in living matter…Although the immediate reaction can be repulsion, the possibility of sculpting in living matter sets the mind racing.”
Image captured live on set during Nick Knight’s 3D scanning shoot with Superversion Naomi Campbell
In addition to photographing a few of the largest names in high style, Knight is an honorary professor at the University of the Arts London, and founder and director of award-winning style website SHOWstudio.com. This week, Knight is in addition a contributing editor at CNN Style, where he has discussed his 3D art, and other style film/photography projects in more detail.
Posted in 3D Printing Application
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