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The CARAPACE PROJECT brand is a way for MHOX design studio (Alessandro Zomparelli and Filippo Nassetti) to use their generative software and SLS 3D printing technology to explore new types of products. These range of immediately useful items, such as jewelry and iPhone cases (like the one I have), and conceptual products such as their masks and ear covers, imagined as a “carapax” or external skeleton which protects eyes and ears of over-stimulation.

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Perhaps inspired by the most announcements and upcoming releases of VR headsets, such as the Oculus Rift, their latest project they combine both their practical and conceptual approaches by creating a VR mask which is both an exoskeletal shield and a hold for a VR headset. “The environment itself is now embedded in the product,” says Zomparelli, “[creating] a prosthesis which extends the potential of the human body to the exploration of multiple possible virtual worlds.”

MHOX’s intention – to both shield the user of external stimuli and, thus, surround them in a fully immersive experience – is immediately clear; yet, the the whole of the VR mask concept goes quite a bit deeper than which. Along with the VR visor, the conceptual system in addition integrates BCI (Brain Computer Interface) sensors, providing an immersive experience based on a deep symbiotic interaction between the device and the user.

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“Using neurological information,” Zomparelli goes on, “it is possible to vary the virtual experience of the individual according to personal sensations, amplifying or transforming visual or auditive streams on the basis of exception mental states. This allows for software developers to create sensitive environments which feel user sensations and react accordingly.”

3D printing technologies enable full mask customization based on the precise shape of the user’s head, through the generation of an intricate design which seamlessly extends the user’s senses and vary their aesthetics. “A new biodigital identity is defined,” Zomparelli concludes. “It emphasizes the deep influence of technology in the relations with other individuals and the environment, to the point of shaping another possible evolution of the human body.”

Even without the integrated neurological interaction, the Carpace VR-mask offers advantages which may see a preliminary version of it in fact produced and marketed. For example, it makes wearing VR goggles additional effortless and helps isolate the user of the external environment. It may take a bit longer for an actual “Strange-Days-like” VR-mask to arrive on the market, but it will most likely be long preceding MHOX’s packaged bionic eyeball (which, by the way, is expected by 2027).

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Davide Sher

About The Author

Davide was born in Milan, Italy and moved to New York at age 14, which is where he got his education, all the way to a BA. He moved back to Italy at 26 and began working as an editor for a trade magazine in the videogame industry. As the market shifted in the direction of new business models Davide started working for YouTech, the initial iPad native technology magazine in Italy, where he discovered the world of additive manufacturing and became incredibly fascinated by its incredible potential. Davide has since started to work as a freelance journalist and collaborate with most of Italy’s main generalist publications such as Corriere della Sera, Panorama, Focus Italy and Wired Italy: most of his articles have revolved around the exception applications of 3D printing.