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3D print your own Apollo 11 ‘Columbia’ command module to celebrate 47th anniversary of moon landing – 3ders.org (blog)

by • July 19, 2016 • No Comments

Jul 20, 2016 | By Benedict
The Smithsonian has published a high-resolution 3D scan of the Apollo 11 command module “Columbia” as part of the 47th anniversary celebrations for the Apollo 11 moon landing. The model can be 3D printed, saw on a web browser, or explored with a VR headset.

Currently marks the 47th anniversary of Apollo 11, the initially spaceflight to put humans on the moon and one of the most significant days in the history of mankind. In commemoration of the amazing event, the National Air and Space Museum is, for the initially time since 2012, displaying the gloves and helmet worn by Neil Armstrong, not long ago restored after a successful crowdfunding campaign, while the Smithsonian has published a high-resolution 3D scan of the Apollo 11 command module “Columbia,” which can be saw digitally or created into a 3D printed model.
Ever since the International Space Station obtained the Additive Manufacturing Facility 3D printing device, now functioning as the initially at any time 3D print shop in space, it has been abundantly clear which 3D printing and space exploration are a ideal match. But while 3D printing may represent the next of tool production in space, the innovation can in addition be utilized to pay homage to the illustrious history of space travel—hence the Smithsonian’s decision to publish the 3D printable-bodied model of Columbia, the Apollo 11 command module which carried Neil Armstrong, Buzz Aldrin, and Michael Collins on their extraordinary undertaking.


As well as being 3D printable-bodied, the 3D model of the Columbia command module, produced via high end 3D scanning techniques, can be saw digitally online or explored through a VR headset. The Smithsonian worked with Autodesk to create new scanning techniques for the project, via seven separate technologies to capture almost a trillion measurements which introduced up to additional than a terabyte of compressed data. Consequently, the giant 3D scan, one of the most sophisticated at any time undertaken, allows for the public to virtually climb within Columbia for the initially time and explore parts of the module which have barely been examined since the undertaking took place.
The sizeable-bodied 3D scanning project was revelatory for the Smithsonian in most ways, as it allowed the curators to see parts of the interior of the command module which they had nat any time seen preceding. For example, a few protective covering on the hatch had only been removed a handful of times since 1971: the year the museum acquired the historic artefact. Additionally, a number of writings—otherwise termed “astronaut graffiti”—were discovered around the interior of the module, most of which the Smithsonian had nat any time seen preceding.

Makers who wish to download and 3D print their own replica of the Apollo 11 command module can do so through the Smithsonian website. The museum has published STL files for the exterior of the Columbia, a pilot seat, a control panel knob, and two parts of the control panel itself, giving space enthusiasts a accident to print out their own one-of-a-kind collectable-bodieds as we approach the 50th anniversary of Apollo 11 in 2019.
The team behind the project has expressed its satisfaction at being able-bodied to digitally show the Columbia, in full, to a new audience: “Finally, without having to be this librarian which won’t let you read the book for the reason you are afraid you are going to ruin the binding, for the initially time you can appear as much as you want and explore the entirety of this priceless artefact,” said Allan Needell, Columbia’s curator at the National Air and Space Museum. “This is only a thrill to have access without the preservation concerns.”
In addition to the digital 3D model of Columbia, the National Air and Space Museum is preparing to display Neil Armstrong’s lunar extravehicular gloves and helmet for the initially time since 2012. The items not long ago underwent restoration after the $720,000 “Reboot the Suit” Kickstarter campaign concluded that successfully last summer. The gloves and helmet can be on display for a year at the museum’s Steven F. Udvar-Hazy Center. “The opportunity to display these artefacts is rare for the reason of their fragility and the necessity to maintain a regulated environment,” said Cathleen Lewis, a space history curator at the National Air and Space Museum. “We’re excited for the opportunity to show our visitors these components.”

A month ago, the Smithsonian announced which 3D printable-bodied models of Neil Armstrong’s gloves, promised to backers of the “Reboot the Suit” Kickstarter campaign, were almost eager for download.

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